RULES KIDAIYAATHU !!
Yeah! I am not gonna focus on any traditional or conservative review writing rules and stuff for this movie!
Well.. To start off with the Concept!
Man.. Please don't expect any concept for any upcoming films. We are leaving back the traditional Tamil Cinema, in which most of the time, Rich people are always Villains and their daughters always Love a Poor Hero, who fights 20-25 Men with Backflips and Saves the Country/State/District/Village or atleast the Heroine.
Tamil Industry is getting into the next phase with directors like Maniratnam, Shankar, Bala, Gautham and Vijay. So, please don't be Obsolete. Stay Updated !
The Director
A new entry to the World Of Cinema. But not to the field of Media. He is a renowned Ad Film Director. And now, he proved that even he can convert those 30 secs ad into 135 mins entertainer! Thanks Mr. Jayendra.
Hero - Sid ! - Ajay/Mano/AJ/Amitabh Bhacchan/Sachin Tendulkar
After Boys, Siddharth wasn't given an exact oppurtunity to prove his Cute stuff in Tamil Cinema. Ofcourse Aayutha Ezhuthu was an epic. But, what about Sid's role?! Quite questionable.
He has proved that HE IS CUTE, even in his acting. Though he hoisted his flag in Telugu Industry, I am always personally proud, that this man is a Chennaite. God Bless.
Heroine(s)
Priya Anand - Renu
Bliss! Yeah! She truly lived inside the character, outside too. From the first scene of asking for a Filter Coffee, till the Scene, where she cries being a true Wife. Wonderful. And those lovely scenes, that she mimics in phone, Thanks to the Director again.
Nithya Menon - Vidya
Baby! Yeah! She makes the audience call her that way. Lovely Girl. I bid, we've got another good-in-acting heroine to the industry. Though she often shows up with a Camera, I swear, not even a single nice shot was clicked. Kidding.
She reminds us of Konkona Sen Sharma, from Wake Up Sid. An independent Girl, living her life. Her craziness, WoW! And in that scene when Sid says" I am married" and she replies, " I don't believe. I don't care too".. There's a slight shade of Maniratnam's way of shaping-the-dialogues. Anyways, Girl.. U have long way to Go. Good Luck.
Mouli & Geetha - Mama & Mami
We know what kind of actors, both are. They've done their part Great. And in every endeavour, Mouli is showing that he is the best in Timing. He Rocks. And Geetha (My Pre-Kg Classmate's Aunt. Lol), suits in the best choice for the Carnatic Teacher role. She adds up beauty to the character. Ah! Motherly!
Thanks to the Director again, for not inserting an unnecessary emotional sequence to display their emotions for not having a Child. Again, Tamil Cinema is entering the new phase. Amen!
Newspaper Kids
They make the best part of the film. The profound thought of the director, to insert a concept that Children needs education, Awesome it was.
The dialogue "Enakku kooda schoolukku poi, padichi, periya aal aayi, car ellam vaanganumnu aasa dhaan Sir. Naama nenaikardhu ellam nadanthirumaa Sir? Sollunga Sir.. Sollunga.." is seriously an Ear, Eye, whatsoever opener for the Well-to-do individuals like us!
And especially the Child's purity, "Enakku Commission ellam vendaam Sir. Veedu kedachaa, en kitta Paper vaangunga podhum". Sincerity speaks. Indians - Wake Up!
Songs
Nee Korinaal.. I don't see any Life in the Lyrics. But, You know. Music is reaching a new dimension. The pitch and variations, Thanks to the Music Director Sharreth.
The Film
After a long time, I sensed that I've seen a film, which shows no Bilateral Halves. Serious. It's a good show of continuity in the Film.
And, simultaneously switching over to America and India, really the Cinematographer, Mr.Balasubramaniem must be saluted for maintaining the equivalence he showed. Not like many directors, who show US like a paradise and India like a Garbage! Thanks for that!
And, the Editing, Kishore T E. Thanks brother, for making us understand the film, without getting lost in India, when the story was in US, vice versa.
It is a must watch Drama - That's how I wanna put it up.
Things that must be highlighted in the Movie :
- It showed a Love, a pure and realistic one!
- A good thought, simply said, by those Children Welfare scenes.
- A heroism, when the guy feared nothing in Life!
- A Reality stuff, when the Guy knew he had Pancreatic Malignancy, and he knows he gonna die. Just realize how practical it was, that even a Doctor disbelieves Medicinal Sciences, when he was caught up by the fear of Death!
- An Innocence, when Vidya (Nithya) loves him, even after getting to know, he is gonna Die.
- A purity in relationship, when the Wife stands up to all mental stress given by the Hubby after he knows he gonna die. She understands his problem, and never complained him of any of his ignorant acts. Wish every couple be such!
- A true Love and Care, a guy can have on a Girl, showed when Sid runs all the way to the Cafeteria, to see his Wife, but just gets lost, intending not to remind her about him anymore.
Saved the best for the Last - Dialogues
Oops! I am still in Love with those pretty dialogues. I can't forget even one of 'em. Every dialogue speaks up to itself. Some even speak up to U, if U really give ears !
Even the last dialogue - "AJ, 'll You come tomorrow?.... AJ : Yarruku Theriyum" tells U the story!
And lastly, to those who questioned about the link with the Title of the story, Get Life. I suggest U go back to your primary school and learn Numbers and Dates/Months stuffs.
180 - The number of days in 6 months - The time period, the story is narrated.
180 - Rules Kidaiyaadhu
Naalai podum seydhi thaal en perai kaatume !!
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